Neil Gaiman's monthly comic book, The Sandman,
was collected in ten volumes: three trilogies and an epilogue. Each
trilogy is one male point of view narrative, one female pov narrative and one
short story collection. The epilogue contains the "Wake" trilogy, its sequel
and sequels to the earlier Marco Polo and William Shakespeare stories. There are
related volumes, like Sandman: The Dream Hunters, an illustrated prose
story, but the collected monthly series is complete in ten volumes. However, an eleventh
Sandman comic book collection is P. Craig Russell's graphic adaptation of
The Dream Hunters.
Mike Carey's
Lucifer, a direct sequel to Season of Mists in Gaiman's The Sandman,
is collected in eleven volumes, differently structured. The middle volume, 6 The Mansions of the Silence, is
the turning point when it is learned that God has left his creation. That turning
point divides the rest of the series into two groups of five volumes. Each of
these groups has a mid-point. In Volume 3, A
Dalliance with the Damned, Lucifer opens gates between his new creation and
every part of God's old creation. Lucifer welcomes immigrants but forbids
them to worship him or anyone else. Carey's Lucifer, unlike Milton's Satan,
wants not Godhood but freedom from either side of the God trip. A Satanic role
as Lord of Hell is in his past but had accreted around him and he had left it in
The Sandman.
In Volume 9, Crux, Michael's
daughter/God's grand-daughter, Elaine Belloc, creates a third universe. This
prepares her to succeed the departed God at the end of the series. Thus, the
three turning points of Lucifer are:
Lucifer liberates;
his father
leaves;
his niece learns.
By the end of The Sandman, the title character has
entered the realm of his sister, Death, and we do not see him again. By the end
of Lucifer, the title character has entered the Void between the worlds
and we do not see him again.
These twenty two volumes should be read
together with related works by both authors plus Swamp Thing and
Hellblazer. John Constantine spun out of Swamp Thing into
Hellblazer just as Lucifer spun out of The Sandman into Lucifer.
Part of the Dreaming appeared in Swamp Thing before we saw more in
The Sandman. Such multi-authored bodies of work are necessarily variable in
quality but the particular works summarized here present continents of quality
in an ocean of quantity.
Addendum (14 Nov 2010): A damned soul
becomes a Duke of Hell in Lucifer Vol 3 and Lord of Hell in Vol 9
and empties Hell in Vol 10. In Vol 11, a fallen cherub says of the angel Remiel,
"Former Lord of Hell - - which is something any schmendrick can add to his
resume these days." (1) So how many Lords of Hell have there been?
It became necessary to distinguish
between Satan in Hellblazer and Lucifer in The Sandman. Each must rule
his own Hell or Hellish realm. This is possible because, in this scenario, the
hereafter is whatever it is imagined to be. At one stage, Lucifer co-ruled with
Beelzebub and Azazel. Later, Lucifer gave the Key to Hell to Morpheus who passed
it on to the angels Remiel and Duma. Later again, Duma gave it to Christopher
Rudd. After Rudd had emptied Hell, one last human soul gained access to the
place, thus becoming sole ruler of an otherwise empty realm: a farce following
the tragedy. Elaine's new universe has no Hell but Hell still exists later in
Andy Diggle's Hellblazer so the universe has split again. This happens in
comics as story lines converge and diverge. However, unless it is stated
otherwise, Satan continues to rule the Hellblazer Hell. Thus, there have
been nine "Lords of Hell":
Satan
Lucifer
Beelzebub
Azazel
Morpheus
Remiel
Duma
Christopher Rudd
Culver Harland
(Insert, 30 Aug 2012: Satan had two co-rulers in Garth Ennis' Hellblazer so maybe the total number is eleven?)
15 Nov 2010: Since the first addendum,
email correspondence with Mike Carey has disclosed that Garth Ennis writing
Hellblazer called his Lord of Hell "the First of the Fallen" in order to
keep alive the possibility that Hellblazer and The Sandman co-existed. They do co-exist somehow
but it is clear that their two Lords of Hell diverged. Ennis' "First" remains a
malevolent demon whereas Carey's Lucifer becomes an indifferent Nietzchean. The
First actively hates Constantine. Lucifer abandons his hate for Morpheus,
realising that all that really matters to him is the freedom of his own will. He
casually destroys beings who stand in his way but no longer seeks to destroy a
former opponent. His role in the "God and Devil" double act has tired him and
become clearly pointless whereas Ennis' First remains consumed by hatred both of
the divine and of the independent operator, John Constantine.
