A syllogism is two premises and a conclusion, e. g.:
All men are mortal;
Socrates is a man;
Therefore, Socrates is mortal.
A Hegelian triad is a thesis, an antithesis and a synthesis. e. g.:
being;
nothing;
becoming.
Imaginative fantasy is written within a syllogism or triad, e. g.:
the Golden Age of Baghdad, complete with jinns, flying carpets etc, existed exactly as described in the 1001 Nights;
Baghdad is now as we know it from the news;
so what happened?
Neil Gaiman presents a conclusion or synthesis in The Sandman: Ramadan.
Michael Moran remembers that he was Miracleman in the fifties and early sixties;
the world in the eighties was how we experienced it at the time with no knowledge or record of any Miracleman;
so where did Michael's memories come from?
The dialogue in Miracleman, no 1 (New York, 2014), expresses Michael's and Liz's bewilderment -
Liz: ...that's just so stupid!
Michael: I suppose you're right. Actually saying it out loud like that, it does sound...well...pretty unlikely. I never really thought about it before. But I had to believe it, don't you see? I was Miracleman. I was a being of almost unlimited power!!
Michael (later): This may, damn it...This does sound silly in 1982, but in the fifties it made perfect sense. This is how I remember it. This is how it happened. (p. 23)
Two realities meet and interact so what will happen next? The first thing that happens is that Michael shouts, "Damn you, Liz, you're laughing at my life!!" (p. 24) and puts his fist through the solid oak floor and she believes.
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