Showing posts with label Marvel Comics. Show all posts
Showing posts with label Marvel Comics. Show all posts

Tuesday, 28 April 2015

Avengers: Age of Ultron

A good sense of an on-going movieverse continuity:

Fury returning from retirement;
Banner missing at the end;
some team members leaving;
other superheroes joining.

Not being a Marvel fan, I had to google the Vision. I am not sure why Ultron had to become destructive except that that is what Frankenstein monsters do. A fight scene near the end reproduced the look of the Ultimates fold-out. Good to see the Avengers partying and also to see thanks to comics creators in the end credits.

Saturday, 1 March 2014

Miracleman 3

Marvel Comics Miracleman no 3 contains:

the next three episodes of Miracleman;
a two-part Warpsmith story;
Garry Leach art;
no Mick Anglo Marvelman.

This Marvel Comics series continues to be a surprise and worth its cover price. The Warpsmith story, like "The Yesterday Gambit," had not been reprinted by Eclipse Comics so we are getting something new. Even those who did read Warrior magazine in its entirety - not me - are seeing some of the Original Writer's works republished in color for the first time.

Initially, before she becomes alienated, Liz takes a keen interest in Mike's new powers. She reads American comics as "...research work." (p. 9)

Liz continues:

"I hadn't read any before. When I was a kid I had a girl's comic...'Sally' or something. Some of this stuff's better than you'd expect, but most of it's crap." (ibid.)

We feel that we could have written that - we have certainly said most of it - but, of course, we did not think either of writing such dialogue or of putting it into the mouth of a woman whose husband has become super-powered. It is so authentic that Liz does not quite remember the name of her girls' comic. I am not sure whether there was a "Sally"? (After a google check: There was. Like Sandie, June, Jinty and Misty, it merged with Tammy which later merged with Girl, the former companion title of Eagle.)

Liz has a check list:

flight - yes;
strength - yes;
invulnerability - yes (Mike feels stupid);
x-ray vision - no;
superbreath - (Mike looks puzzled).

Perfect.

Although the Marvel Families never had Superman's visual powers, Bates, his powers growing, has meanwhile acquired something like the dreaded "heat vision."

Further tests:

flight speed - at least mach two, too fast for stopwatch;
strength - "Very, very strong. Ridiculously strong. Christ." (p. 11)
invulnerable to a massive falling rock.

They seriously discuss the absurdities in a way that Mick Anglo's characters could never have done. Human skin cannot possibly be tough enough to be simply unaffected by that rock which should at least have driven his feet into the soft earth so maybe he has a force field which would explain his twinkling effect? A force field cannot explain the strength but neither can "...muscles like a ballet dancer..." so "Maybe it's all in your mind, Mike, the power." (ibid.)

In a thought balloon (rare these days), Liz thinks, "God knows I wonder if it's all in my mind often enough." (ibid.) Here is another possibility, not explored any further but nevertheless present: is one of the characters imagining all these strange events?

In an earlier post, I asked of atomic-powered superheroes: could it be that they mentally control the most basic subatomic forces, thus gaining telekinetic control of their environments which would make it an easy matter to fly, lift heavy objects etc? That sounds almost plausible.

Thursday, 16 January 2014

More On Marvel Comics Miracleman no 1

(The attached image is the cover of Eclipse Comics Miracleman no 1. There never was a Marvelman no 1 because Marvelman continued the numbering of the Captain Marvel British reprints.)

Marvel Comics Miracleman no 1 (New York, 2014) contains, after the front cover and a contents page:

the first two short Marvelman episodes from Warrior as they had been republished by Eclipse, on smaller pages, colored, but here recolored, and with the character's superhero name changed;
three black and white Marvelman stories;
a Marvelman Family story that, renamed Miracleman Family, had been colored and re-presented as a Prologue to the Eclipse Miracleman no 1 and is presented thus here;
some art work;
an article explaining the origin of Marvelman, illustrated by pages of Marvelman;
extracts from an interview with the since deceased Mick Anglo, illustrated with photographs.

Thus, this is a combination of a comic book and a magazine. It is good to be able to compare and contrast Marvelman with Miracleman although I would have preferred more of the latter.

A caption in the large introductory panel of each Marvelman story summarizes the fictitious origin of the character, twice referring to MICKY MORAN as "...a Boy...," then referring to MARVELMAN as "...a Man..." The caption informs us that, when MICKY MORAN "...says the Key Word KIMOTA, he becomes MARVELMAN, a Man of such strength and powers that he is invincible and indestructible." (pp. 42, 48, 58).

So it doesn't sound as if he will ever experience any difficulty in defeating his opponents?

The perspective and quality of the writing in Miracleman could not be more different. The adult, married Moran thinks:

"If only I could remember that damn word. Kimono? No. Komodo? No. Krakatoa? No. Jesus, this headache." (p. 14)

We soon realize that we are reading a character who both remembers the old Marvelman stories from the inside and inhabits the same world as us - until, inevitably, he changes that world into something new and strange.

Marvel Comics Miracleman no 1

(i) Fawcett Comics stopped publishing the original Captain Marvel because of law suits from the publishers of Superman.

(ii) The Mick Anglo Marvelman ceased publication I think because he could not compete with newly imported American superheroes.

(iii) Warrior magazine published a reconceptualized Marvelman, received legal heat from Marvel Comics, then stopped publishing.

(iv) Eclipse Comics re-published, colored and continued the reconceptualized Marvelman, renamed Miracleman, but went bankrupt.

(v) Now Marvel Comics re-publishes both the Mick Anglo Marvelman and the Eclipse Comics Miracleman, the latter recolored, and hopefully will complete the latter.

(vi) Meanwhile, the Superman publishers publish the original Captain Marvel and Marvel Comics have their Captain Marvel.

Moral: a superhero cannot be killed.

Comment: the recoloring is subdued and superb, more like the way DC Comics colored the Warrior magazine V For Vendetta by the same original writer.

Saturday, 27 April 2013

Iron Man 3 Spoilers

OK. What is clever here?

Tony meets a couple of fan boys.
A reference to Downton Abbey (incredible).
The on screen "Mandarin" terrorist leader is a Brit actor who did a good Lear in Croydon.
I really thought that Pepper had died.
There are references to the Avengers, of course.
Tony and Iron Patriot have to spend a lot of time coping without their armour.
Tony's Malibu house overlooking the sea gets trashed real good.
Control the Vice-President, then kill the President - a stunt common to Garth Ennis' The Boys.
Tony rescuing people falling from a plane was a good performance by a sky-diving team.
Villain motivated by early rejection by hero, as in The Incredibles.
The post-credits dialogue that the whole cinema audience knew to wait for was just a joke (but I didn't recognise the doctor).

Wouldn't someone recognise the Mandarin? 

Wednesday, 26 December 2012

The God Thor II

Robert Rodi's Thor: For Asgard presents a moral question rather casually. Frost Giants attacked by the Aesir use women and children as a living shield. Thor, charged by Odin to maintain order, continues to lead the attack. Afterwards, he argues that, if the Aesir had held back, then every other subject nation would have used this tactic, subverting the empire.

Must the Aesir rule an empire? Could arrows, spears and Thor's hammer not have been propelled above the living shield? The Frost Giants are big enough targets. Could Thor's chariot not have flown above the women and children? There are moral issues about how, or whether, to wage war but I do not think that this story addresses them adequately.

Mythologically, Valhalla should be a place not just where the Einheriar, dead warriors, hang out but where they fight, die, rise and feast cyclically until the Ragnarok.

Tuesday, 25 December 2012

The God Thor

This is neat. Marvel Comics adapted the god Thor as a superhero, who has come to Midgard as Superman came to Earth. Then some Marvel Comics writers preferred to return to Thor as a god, based in Asgard.

I have just read Robert Rodi's Thor: For Asgard and am about to start reading Roberto Aguirre-Sacasa's The Trials Of Loki. In the former, I don't buy Asgard as a city with citizens, running an empire, or the dead Balder residing in Valhalla instead of in Hel.

Marvel Comics have coined the unnecessary term "Asgardian." An "as" is a god. "Asgard" is the enclosure of the gods. So an inhabitant of Asgard is an as or a god, not an "Asgardian." This artificial term would mean "an inhabitant of the enclosure of the gods," in other words just a god.

The plural of "as" is "Aesir," the already familiar term for the Norse pantheon.