Wednesday, 31 December 2025
Cessations Of Publication
Friday, 7 June 2024
From Samson To Moran
Saturday, 13 March 2021
Secrecy And A Friend Called Pete
Jack Havig, time traveler, to Robert Anderson:
"'Uncle Jack was the ideal guide and mentor. I'd no reason to disobey his commands about secrecy, aside from some disguised bragging to my friend Pete.' (p. 39)
Clark Kent's friend, Pete Ross, accidentally discovers his secret.
"'...the necessity of keeping our secret...'" (p. 40) is a strong parallel between the biographies of those two great Americans, Clark Kent and Jack Havig. Kent inspires the Legion of Super-Heroes in the thirtieth century. Havig builds the Star Masters civilization in later centuries.
Despite their powers, Kent and Havig keep the secret because its
necessity is impressed on them by their mentors, Jonathan Kent and Uncle
Jack, respectively. The Smallville TV series emphasizes the
deceit and duplicity involved in the secrecy which leads to a permanent
conflict between Clark Kent and his former friend, Lex Luthor. Clark
could have had a small team of friends, including Pete and Lex, working
with him - a much better arrangement.
The Structure Of Two Series: The Sandman And Lucifer
Lucifer liberates;
his father leaves;
his niece learns.
By the end of The Sandman, the title character has entered the realm of his sister, Death, and we do not see him again. By the end of Lucifer, the title character has entered the Void between the worlds and we do not see him again.
Lucifer
Beelzebub
Azazel
Morpheus
Remiel
Duma
Christopher Rudd
Culver Harland
(Insert, 30 Aug 2012: Satan had two co-rulers in Garth Ennis' Hellblazer so maybe the total number is eleven?)
Saturday, 2 January 2021
A New Genre?
Is this a new genre: a partly autobiographical, partly historical, documentary prose text, interspersed with illustrations, written and drawn by an author, illustrator and political cartoonist, partly covering the period when he was creating a graphic novel? Usually, I would be reading the graphic novel. This time, I am reading a prose account of its creation. Next, the book could be filmed, showing the author drawing pages of the graphic novel.
A story can be narrated, enacted or depicted. Thus, the three story-telling media are narrative, drama and sequential art, which can be creatively combined. Once, in a school where I worked, a drama group showed and discussed an animated film and, on a later visit, enacted a sequel, playing the parts of the screen characters. We need
Tuesday, 10 November 2020
A Complicated Comics History II
Before and during the Crisis on Infinite Earths in the mid- to late 80s, Superman and Superman in Action Comics were solo Superman titles and DC Comics Presents was a regular Superman team-up title whereas, after the Crisis, Superman (first series), now called Adventures Of Superman, and Superman (second series), simply called Superman, were solo Superman titles whereas Superman in Action Comics had become the regular team-up title and, a few years later, became a thick weekly anthology for nearly a year.
For a while, when Action was monthly and neither a team-up book nor an anthology, a fourth monthly title and a quarterly were added to transform four monthlies and one quarterly into one weekly with continuous narrative although by different creative teams and the quality went into the Phantom Zone. Things have changed and changed again and I have no idea what is happening now. Alienate old readers as long as you can attract new younger readers if you can.
Saturday, 31 October 2020
What's Been Done With Watchmen
Sunday, 5 July 2020
Powers Unknown
The deal with the blog is that a single word or phrase in a work by Poul Anderson can generate either a reflection or a comparison with a similar word or phrase in a work by another author. We can move in any direction although we always return to our source. And here is one mysterious phrase:
"The Taverners are as merciful as their charter, or whatever it is that was once granted them by some power unknown, allows them to be."
-Poul Anderson, "Losers' Night" IN Anderson, All One Universe (New York, 1997), pp. 105-123 AT p. 108.
There could be a story about an inn-keeping couple at some place or time, the punchline being that, right at the end of the story, they are appointed as keepers of the Old Phoenix - but that alone would not be enough to tell us who the power unknown is. Once appointed, do the Taverners remain in the Old Phoenix or do they, like their guests, continue to lead lives in one of the universes? The inn is outside all particular cosmic times so they could always return to it at the moment they had left.
"...there are some powers that no one, not even the Endless, seeks to inquire into too deeply."
-Neil Gaiman, The Sandman: The Wake (New York, 1997), p. 17, panel 4.
Why not? The Endless are anthropomorphic personifications of aspects of consciousness and include Destiny, who knows all that was, is and will be, although Delirium that was Delight claims:
"...I know lots of things about us. Things not even he knows."
-Neil Gaiman, The Sandman: Season Of Mists (New York, 1992), p. 29, panel 6.
- pointing at Destiny.
That might be a koan: What does Delirium know that Destiny does not?
And does she know the powers unknown?
Saturday, 4 July 2020
The Watchmen TV Series
The attached image shows us the Hooded Justice of the TV series within the TV series: one totally different guy. (He looks exactly the same because of the costume.) The Awesome Mage's Watchmen had a comic within the comic so the TV sequel has a TV series within the TV series.
I watched Episode 1 last year with Ketlan and did not get into it yet. It takes some getting into. How does it connect with AM's original masterpiece? That takes time to transpire. For Father's Day this year, Aileen gave me the DVD set. Obviously, I was going to watch it and I also needed to read about the series to try to understand what these guys are doing. The actors speak very fast in very pronounced accents and make obscure references. Like a child watching a film, I have to accept that I do not understand a lot (yet).
So far, I have watched the first 6 of 9 episodes. A lot is still difficult, especially Veidt's strange predicament. The horseshoe theme seems particularly incoherent but it was repeated so maybe its meaning will become clear. I understand that everything does eventually tie together. Episode 5 brilliantly shows how one of the new characters survived the New York event. The Watchtower was appropriate both because it was in AM's series and because Watchtower fits with Watchmen.
Episode 6 is riveting. The newly created origin story for the previously unidentified Hooded Justice:
is as good as AM's Joker origin story (see also here);
explains the noose around the neck;
explains that, even under the hood, HJ needs a painted eye mask as camouflage. (Watch it. Episode 6.)
Captain Metropolis looks good. The other Minutemen are indistinct because we are seeing them through HJ's memories.
In an earlier episode, a newsboy was announcing that the aliens were a hoax just before HJ's first appearance which is chronologically wrong but I think that that was because someone was remembering first the later event, then the earlier event.
Dave Gibbons said that Damon Lindelof would do it right and it looks like Dave was right. I still have three episodes to watch and maybe the whole series to rewatch.
Masked policemen seem bizarre, then make sense as a role reversal.
Wednesday, 25 December 2019
Other Reading About Telepathy
Thus, we read, in a book received as a present today:
D'jinn, disguised as a slave girl: Gather all who serve Yussuf's ascendancy together tonight for an important meeting.
Sidi Nouman: Is that wise? In the past we've never congregated more than two or three at a time. Those were always Yusuf's orders.
D'jinn: No Matter. I simply needed to ascertain the fullness of the list which appeared in your mind the moment I inquired of them.
I've captured it complete, and so you are of no further use to me, Sidi Nouman, famous abuser of horses.
-Bill Willingham, Fables: Arabian Nights (And Days), (Burbank, CA, 2006), p. 59, panels 5-6.
Tuesday, 10 December 2019
A Fictional Language II
I know that some people are elaborating Klingon (see image) so maybe they are way ahead of us here. Let me just try to demonstrate some more of Alan Moore's ingenuity.
p. 14, panel 4
Alanna: D-duss maol olt? Fao Adam AEL? (How is he? Will Adam be well?)
Sardath: Sa. Adam fao ael. Qu dral ol VIER, tertel bu. (Yes. Adam will be well. You can see him...)
p. 14, panel 5
Alanna: Iu, Sardath-cho, Ba ONAMAO qu! (Oh, Sardath. I love you!)
Sardath: Ba onamao QU emsec, Alanna. (I love you too, Alanna.)
p. 15, panel 1
Alanna: ADAM! Iu, onamaol bu... (Adam! Oh, love they...)
p. 15, panel 3
Alanna: Qu fao zon ililoc huls CHECHEDOR Rann, di tomta ILIOCTIBANI. Olf fao doh rette RANN leps THANAGAR. (You will be able to talk to the new Ambassadors to Rann, during the Conference/negotiations. They will (or have?) come to Rann from Thanagar.)
p. 15, panel 4
Adam Strange: THANAGAR? THOM KATAR HOL? (Thanagar? Not Katar Hol?)
Alanna: Tho. Thom KATAR HOL ool SHAYERA. Olf fao HAKKESTRANG! (No. Not Katar Hol or Shayera. They are (will be?) Hawkpeople!)
p. 16, panel 1
Keela Roo: Ael, Sardath-chat. Ol wa ililoc THANAGARRU wo? <... (It is well, Sardath. Should we speak Thanagarru?) (Her Thanagarru is represented by < and by similar signs which are not on my keyboard.)
p. 16, panel 2
Sardath: ADAM-CHI! Ol fa aeli qu fao ael! Olf fao KEELA ROO ep SCIRA EK, checheder leps THANAGAR... (Adam! It is good that you are well! These are Keela Roo and Scira Ek, ambassadors from Thanagar...)
Keela Roo: < etc.
p. 16, panel 3
Keela Roo: ...absorbacon-linked translator should simplify the discussions.
(She holds a glowing pyramid which emits the sound "Veep" as it makes everyone present understand everyone else's speech.)
p. 17, panels 5-6
Adam Strange, speaking while running beyond the range of the absorbascon: Yes, yes. It's okay. I know... "It's a dirty job... (VEEP!) ...claab APOCHAN masraut fao ol!" (Give it to the ape man.) (Or something like that.)
p. 28, panel 2
Adam Strange: Lam TALSA, Keela Roo. Qu glispi SARN. (Good morning, Keela Roo. You look "sarn.")
Keela Roo: Lam Talsa, Adam Strange. Bas Hakkestrange ETHMET glispi sarn. (Good morning, Adam Strange. But Hawkpeople always look "sarn.")
p. 28, panel 3
Keela Roo: Ba murrn ililocta-unulacon bu... (VEEP)... so that we may talk more easily.
p. 34, panel 3
Alanna: ADAM? Voryegger ilioc INGLISH? (Adam? The monster speaks English?)
Adam Strange: Uh, tra. Ol utu "SMALSH-YEGGER," aps URTH. (Uh, yes. He was "Swamp Thing" on Earth.
p. 35, panel 6
Alanna: ADAM? Duss ililoc qu ap Smalsh-Yegger? (Adam? What are you talking about with Swamp Thing?)
p. 36, panel 1
Adam Strange: Ep URTH, epo GOTHAMAGAR, Smalsh-Yegger faor lurshastrang. Fao ol lurshastrang ep RANN? (On Earth, in Gotham City, Swamp Thing made vegetation. Will he make vegetation on Rann?)
p. 36, panel 2
Alanna: Mamoon. Iu, Smalsh-Yegger, MAMOON. (Please. Oh, Swamp Thing, please.)
I am starting to decipher more but enough is enough. One sentence of Planha in Poul Anderson's "Lodestar" has made me revisit and re-appreciate Alan Moore's Rannian dialogue.
Sunday, 20 October 2019
The Structure Of A Series: The Boys (90 Monthly Issues)
II: Get Some ("Get Some," 7-10; "Glorious Five Year Plan," 11-14)
III: Good For The Soul ("Good For The Soul," 15-18; "I Tell You No Lie, G.I.," 19-22)
IV: We Gotta Go Now (23-30)
V: Herogasm (miniseries, 1-6)
VI: The Self-Preservation Society ("The Self-Preservation Society," 31-34; "Nothing Like It In The World," 35-36, "La Plume De Ma Tante Est Sur La Table," 37; "The Instant White-Hot Wild," 38)
VII: "What I Know," 39; "The Innocents," 40-43; "Believe," 44-47)
VIII: Highland Laddie (miniseries, 1-6)
IX: The Big Ride ("Proper Preparation And Planning," 48-51; "Barbary Coast," 52-55; "The Big Ride," 56-59)
X: Butcher, Baker, Candlestickmaker (miniseries, 1-6)
XI: Over The Hill With The Swords Of A Thousand Men (60-65)
XII: The Bloody Doors Off ("The Bloody Doors Off," 66-71; "You Found Me," 72)
Wednesday, 12 June 2019
Good Omens
A former Doctor Who acts so well as a hip demon that he is scarcely recognizable.
Is the Antichrist necessary for Armageddon? Demons can break the rules. See "James Blish And The Antichrist," here.
The Time Travel Problem In Avengers: Endgame III
Andrea argues that:
the characters time travel from the present of Reality A to the past of Reality B and return to the present of Reality A;
Thanos follows some of the heroes from the past of Reality B to the present of Reality A;
therefore, the only discrepancy is that, if Rogers remained in the past of Reality B, then he should have aged into the present of B, not A.
I think it also follows that Thanos' disappearance from Reality B prevents V in B?
Tuesday, 4 June 2019
New Swamp Thing TV Series
He says that he has seen an alien autopsy.
Some of the characters have the same names but they are not the same characters, particularly not Abby. Are Anton and Gregori going to show up?
Wednesday, 8 May 2019
The Cainites
Lucifer: Cain. You must know of the Cainites?
Cain: Can't say that I do...
Lucifer: Gnostic sect. Second century. They rejected the books of the New Testament in favor of the Gospel of Judas.
-page 49, panel 1.
Lucifer: They believed that we created the heaven and the earth, and that you were the persecuted party in that unfortunate affair with your brother. They also held that the way to salvation was to give way to lust and temptation in all things.
-panel 2.
Lucifer: And no greater percentage of them turned up here than of any other religion. Amusing, isn't it?
Cain: I wouldn't know.
-panel 3.
The Wikipedia article on Cainites mentions this issue of The Sandman as a popular cultural reference.
Now maybe it is time to return to Poul Anderson's very different Cainites?
Sunday, 28 April 2019
The Time Travel Problem In Avengers: Endgame II
Just before V, Thanos detects the activities of one of the superhero teams that have traveled from 6 AV to times before V in order to extract the Stones;
following this clue, Thanos travels to 6 AV, arriving shortly after the teams have returned;
all those who had been dissolved at V are restored;
Thanos and all his forces are dissolved.
Therefore, in this timeline, Thanos, having been dissolved in 6 AV:
does not travel back to just before V;
does not cause V;
does not live on another planet from V until 5 AV;
is not killed on that planet by Thor.
Yet these events have happened in this timeline in which Thanos arrives in 6 AV.
Contradiction.
The Time Travel Problem In Avengers: Endgame 1
In Avengers: Endgame (I might not have all of these events in exactly the right order):
five years elapse so we get to 5 AV;
surviving superheroes find Thanos on another planet and Thor kills Thanos;
Ant Man, who had not dissolved but had been trapped in the quantum realm for five objective years but five subjective hours (?), returns to the macrocosm;
he suggests -
superhero teams travel to times before V when it would be possible for each team to extract one of the Stones and bring them to the present which is now some time after 5 AV, say 6 AV;
use the Stones to restore all the people who had been dissolved but do this in 6 AV;
return each Stone to the moment from which it had been extracted.
Thus, the past would not be changed: the history of each Stone would be uninterrupted and the six years between V and 6 AV would not be affected.
What is wrong with this plan?
Saturday, 27 April 2019
Avengers: Endgame
A serious attempt is made to avoid time travel contradictions. However, if the stones had to be returned to the moments from which they had been taken, then surely the same should apply to Thanos? And his memory of his trip through time should have been erased?
I had to run in and out during the credits so I do not know whether there was a mid-credits scene but will ask. It was good to sit till the end of the credits even though there was no post-credits scene. All those people deserve to have their names seen and some of the information is interesting.
Clint loses Natasha but gets his family back. Contrast this with what happens to these characters in The Ultimates. (Scroll down.)
It feels like the interminable movieverse finally went somewhere. It had legs. We now know who we will not see again.
Tuesday, 19 March 2019
Five Cessations Of Publication
(ii) Mick Anglo's Marvelman.
(iii) Warrior magazine with Alan Moore's Marvelman and V.
(iv) Eclipse Comics where Marvelman had been renamed Miracleman and Alan Moore had completed his story but Neil Gaiman had not yet completed his sequel.
(v) Marvel Comics Miracleman reprints.
Still to be completed: Gaiman's Miracleman.
Alan Moore's Miracleman is complete. Miracleman remembers being Marvelman who was an imitation of Captain Marvel who was an imitation of Superman.
Moore wrote happy endings for Superman and Swamp Thing and ambiguous endings for Miracleman, Watchmen and V who is a masked avenger. The others are superheroes. (Moore super-powered a swamp monster.)


















