Neil Gaiman's Sandman includes
one more fantastic story about the limits of political power. The fruit of
immortality passes from an ascetic to a king to the king's wife to her lover to
a courtesan and back to the king who then executes the wife and the lover,
abdicates and eats the fruit. His royal power could not prevent his wife's
unfaithfulness so he ends her life and his kingship.
How does this relate to Dream? Well, the
ex-king once describes sleep as being in the arms of Morpheus. More importantly,
he tells his story to his fellow immortal, Hob Gadling, and to the handsome
cabin boy, Jim. Jim tells his/her story to a group of travellers stranded in the
Inn of the Worlds' End by a "reality storm" occasioned by the death of Morpheus.
The latter has set in motion a sequence of events that can end in his death. On the one hand, he remains confident that he can prevent his death. On the other hand, he must want an end or he would not have initiated these events in the first place. If he dies, then he is succeeded by another aspect of himself whereas, if, like his brother, Destruction, he merely leaves his realm, then that realm, the Dreaming, ceases to be ruled. His sense of responsibility will not allow him to leave such disorder in his wake.
The latter has set in motion a sequence of events that can end in his death. On the one hand, he remains confident that he can prevent his death. On the other hand, he must want an end or he would not have initiated these events in the first place. If he dies, then he is succeeded by another aspect of himself whereas, if, like his brother, Destruction, he merely leaves his realm, then that realm, the Dreaming, ceases to be ruled. His sense of responsibility will not allow him to leave such disorder in his wake.
By dying, Morpheus abdicates great power
but not political power. He tells Desire, "We of the Endless are the servants of
the living - we are NOT their masters. We exist because they know, deep in their
hearts, that we exist." (1) They are anthropomorphic personifications of aspects
of our consciousness so their power over dreams, desires etc derives from us.
(1) Gaiman, Neil, The Sandman: The
Doll's House, New York, 1990, p. 226.
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