Invitations

Please comment.

Please also (if you want) email accounts of LICAF events that I did not attend and therefore have not described here. Such accounts can then be posted onto the blog.

Please disagree with opinions expressed here.

If you have any advance info about what is likely to occur at LICAF 2, that would also be of interest.

Does anyone know what impact the Festival had on Kendalians?

See you all there next year. (And bring others.)




 

Dredd And V III

One advantage of blogging is that second or third thoughts can be added ad infinitum or, if you prefer, ad nauseam.

At the Lakes International Comic Art Festival, we had an embarrassment of riches:

a short film about Judge Minty;

a feature film about Judges Dredd and Anderson;

Judges Lemmy and Bane patrolling the Festival;

Dredd creators, Wagner and Ezquerra, present and approachable;

V for Vendetta on sale, screen and stage (something for everyone here - I had bought the comic and seen the film but had not yet seen the play).

In the feature film, two Judges would not have been so distracted by a couple of armed kids that they would let their prisoner jump one of them. Anderson was inexperienced but not Dredd.

A Judge's gun explodes in the hand of a bearer with the wrong ID. That makes sense.

Back to Dredd's opposite number: Codename V. In the play, V tells Evey, "'Anarchy' means 'without leaders,' not 'without order.'" I think he is wrong. I kidded a couple of people that, after a talk, I would stand up and make a political speech instead of asking a question. But a political argument is certainly appropriate after reading or seeing V For Vendetta. That is what the text invites us to do. So:

"monarchy" means "one ruler";
 "patriarchy" means "male rulers";
"matriarchy" would mean "female rulers";
"anarchy" means "no rulers."

A ruler is able to enforce his will whereas a leader gives a lead which we are free to follow or not; it's our decision. V is certainly a leader and, equally certainly, not a ruler. No society is without leaders. Each of us gives a lead, which may or may not be followed, every time we say, "I think we should...," "Why not...?" or "Let's..."

Personal Associations

I grew up in Penrith which is near Lake Ullswater and, since late 1973, have lived in Lancaster which is across Morecambe Bay from the Lake District hills.

In Penrith, I started to get the British comic paper, the Eagle, before being able to read it. From late 1960, I attended a boarding school near Dublin in Ireland where we had access to a few DC super hero comics of which my favorite was Green Lantern. This was early in the Silver Age, just before the Golden Age and Silver Age were synthesized in the DC multiverse.

In Lancaster, I got back into reading and collecting comics in the mid-1980's, just after the Crisis. I knew that there had been a recent important event called the Crisis on Infinite Earths but did not know what that was yet. Everything was a Crisis consequence. It was Green Lantern 200, the early Green Lantern Corps and John Byrne's Superman that really got me back into reading comics. Graffiti in familiar London streets in Alan Moore's Swamp Thing revealed that the Great British Miners' Strike of 1984-'85 had been part of the Crisis on Infinite Earths.

It was good to know that comics had grown up with us and that we could now read Howard Chaykin's Blackhawk who was obviously the real guy behind earlier comic book versions. I remembered a Blackhawk cinema serial in Penrith in the early '50's, then Blackhawk comics from DC in the '60's. I no longer follow DC but do read anything written by Alan Moore or Neil Gaiman even, in Moore's case, when it was pornography.

An event like the Lakes International Comic Art Festival shows that comic books have become a powerful art form and medium, which we did not expect when we read them in the 1950's or '60's. Many super hero comics are merely self-referential but the best sequential art graphic fiction refers to and is embedded in other literature, culture and history.

A Few Tangential Remarks II

The young guy I mentioned a few posts back is called Kermit. Hi, Kermit.

Kurt Busiek spoke about the freedom of creating Marvels. However, its success would have led to editorial control of any sequel so it was better to create Astro City as a medium for the theme of ordinary people in a super hero-dominated world. Astro City is a setting for many stories, not just one single over-arching story line.

David Hine adapted Victor Hugo's The Man Who Laughs as a comic strip but referred in the same breath to a Batman and Robin story that he had written because a poster for The Man Who Laughs was the source for the physical appearance of the Joker. Unbelievable.

It was good to have brief conversations with John Wagner, Bryan and Mary Talbot and several others. I missed David Lloyd and he had gone the next day when I went to look.

More from the Andy Diggle-John Freeman interview: publishers need to recognize when a story has finished and not ask another writer to continue it. Andy Diggle said that, in general, British publishers get this right; Americans don't. I think that one example of Americans getting it right would be The Sandman. At least, the publishers accepted that the character was dead and his series was ended although, as Andy Diggle also said, Vertigo kept warming up Gaiman's left overs. But Mike Carey's Lucifer was a good outcome of that. The example that Andy did quote was post-Moore Swamp Thing. I thought that Rick Veitch did a good job of following Moore and Mark Millar did a good revamp later but there is no doubt that much other post-Moore Swamp Thing is going nowhere. 

The Festival will clearly grow in future years so its backers and organizers need to stay with it. Apparently, the dates for next year have already been written in.

A Few Tangential Remarks On The Lakes International Comic Art Festival

John Freeman's experience as editor and writer enabled him to ask the right questions of Andy Diggle who then spoke informatively about the relationship between editing and writing:

a writer who wants to be noticed by the industry needs to perfect his ability to write 5 page short stories, submitting them wherever possible, like to 2000 AD, or putting them a blog;

the 2000 AD tray of unsolicited manuscripts contained rubbish, a few submissions from writers who needed editorial advice about writing techniques, structure, pacing etc and Mike Carey!;

Andy likes action panels to be silent except for SFX but some 2000 AD writers included unnecessary balloons saying, e. g., "I am about to fall off a building!";

technique can be taught whereas imagination can only be encouraged;

Andy started writing with a non-Dredd short story set in Megacity One (neat);

many writers want to write their favorite characters from childhood whereas others want to create new characters;

Max, the villain in The Losers, is "Rumsfeld meets Blofeld," a neat description, certainly a Blofeld-like figure with "New American Century" politics - and a name beginning with "M."